Shawn “Jay-Z” Carter and Will and Jada Pinkett Smith have joined the producing team of Fela!, the new Broadway musical based on the life and music of African composer and performer Fela Anikulapo-Kuti.
The critically acclaimed musical, the first involving the rap star and the Hollywood power couple, played to sold-out crowds during its world premiere last summer at Off-Broadway’s 37 Arts.
It’s moved to Broadway and will play at the Eugene O’Neill Theatre (230 West 49th Street). The official opening is set for Monday, Nov. 23. Fela! is directed and choreographed by Tony-Award-winner Bill T. Jones (Spring Awakening), with a book by Jim Lewis and Bill T. Jones.
Fela Ransome Kuti was born in Abeokuta, Nigeria, north of Lagos in 1938. His father was a Christian schoolmaster, minister and master pianist and his mother was a world-recognized feminist leader, who was very active in the anti-colonial Nigerian women’s movement during the struggle for independence.
Fela was educated in Nigeria amongst the elite. Ironically, many of his classmates in his Nigerian school would become the very military leaders he so vociferously opposed.
With medical aspirations for their offspring (Fela’s older brother, Koye, was to become a Deputy Director of the World Health Organization and his younger brother, Beko, President of the Nigerian Medical Association) Fela’s parents sent him to London in 1958 for a medical education.
Instead, he registered at Trinity College’s school of music where he studied composition and chose the trumpet as his instrument. Quickly tiring of European composers, Fela was struck by Miles Davis and Frank Sinatra. He formed the Koola Lobitos in 1961, and his band became a fixture in London’s club scene.
Two years later, Fela returned to Nigeria, restarted the Koola Lobitos, and became influenced by James Brown. Trying to find an authentic musical voice, he added elements of traditional Yoruba, high life and jazz, and “Afrobeat” was born.
In 1969, Fela’s Koola Lobitos traveled to Los Angeles to tour and record. During his eight months in the US, with LA as a home base, Fela befriended Sandra Isidore, who introduced him to the writings and politics of Malcolm X, Eldridge Cleaver and other proponents of Black nationalism and Afrocentrism.
With this new politically explicit and critical worldview, Fela reformed the Koola Lobitos as Nigeria 70 and returned to Lagos. He founded a commune/recording studio called the Kalakuta Republic, complete with his own private nightclub, The Shrine.
Fela dropped his given middle name “Ransome,” and replaced it with a Yoruba name “Anikulapo” (meaning “he who carries death in his pouch”). Playing constantly and recording at a ferocious pace, Fela and band (who were now called Africa 70) became huge stars in West Africa and beyond.
His music served as a rallying cry for the disenfranchised, critiquing the military government, and made Fela not only a pop star but thrust him into political life. People took to the streets singing his songs and the military responded by viciously harassing Fela, jailing him and nearly killing him on several occasions.
In 1977, during a government-sanctioned attack on his Kalakuta Republic commune, Fela and other members of his commune were arrested; Fela himself suffered a fractured skull as well as other broken bones; a number of women living at Kalakuta were beaten and raped; and his 82-year old mother was thrown from an upstairs window. She later died from her injuries.
Fela Anikulapo-Kuti was arrested more than two hundred times in his life, and charged with almost every conceivable crime, although only serving one eighteen month sentence in jail for a currency violation.
Despite this constant harassment he continued to live in Nigeria even though, as an icon in the international world of rock and roll, soul, jazz and hip-hop, he could have at any point abandoned Nigeria and led the life of an international music superstar.
His death on August 3, 1997 of complications from AIDS deeply affected musicians and fans internationally. In Nigeria one million people attended his funeral. His incredible body of work, almost 70 albums, is now available, by public demand, all over the world.
The new musical, directed and choreographed by Tony Award-winner Bill T. Jones with a book by Jim Lewis, exposes audiences to the extravagant, decadent and rebellious world of the Afrobeat legend.
Using his pioneering music (a blend of jazz, funk and African rhythm and harmonies), Fela! explores Kuti’s controversial life as artist, political activist and revolutionary musician. Featuring many of Fela Kuti’s most captivating songs and Bill T. Jones imaginative staging, Fela! is a provocative hybrid of concert, dance and musical theater.
The official opening is set for Monday, November 23. For more information about Fela! visit Fela On Broadway.